Smh. But from using the Hyperdeck Shuttle2 to record HD, I discerned a better quality image using ProRes than DNxHD. Records in H. The "fast" ist the key here: edit codecs store every frame individually. The DNxHD ("Digital Nonlinear Extensible High Definition") and DNxHR ("Digital Nonlinear Extensible High Resolution") are lossy video codecs that are intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. A codec encodes a data stream or signal for transmission, storage or encryption, or decodes it for playback or editing. You also get two mini XLR connections with 48V of phantom power and a noise floor of ‑128dBV for high quality, crystal clear audio recording. Hollywood, California 90038 USA. Quality vs. Description. 265, where there are only complete. I've personally always wondered if there was actually any difference between these two codecs. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. Yes, ProRes 422 is vastly better than any H. Alpha: Uncompressed. Cineform is still very new on the scene, and thus not a lot of tools know what to make of it. Not bad at all. Because ProRes is developed by Apple they have officially restricted the ability to. It is especially useful for PC users and is overall a great codec. Premiere suggests DNxHD by default when doing a Render-and-replace of an AE comp. You can change it to another one in the Parameter settings. You can set up a custom ingest preset if you want to continue using it, but there isn't really a whole lot of point using it for proxies over ProRes these days. You won't gain anything by recording to a 12-bit format as the camera only outputs 10-bit. . Fri Sep 20, 2013 5:17 pm. If your on a PC, I would recommend using DNxHD. pixel format is incompatible with DNxHD profile. [1] Much like the H. Report. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K. Second, AMA/Importing ProRes at matched frame rate works great. avi or . To minimize quality loss, set a high bitrate in your export settings (assuming. They use the same compression system, data rate and bit depth (with some exception). Video Codec: DNxHR/DNxHD. 264 at 480, 2Mbps and you’re done. These codecs, along with Apple_ProRes_422_Codec_Family and Apple ProRes RAW were. Sat May 12, 2018 9:02 pm. Besides, as far as I know the Ninja V can't record 12-bit unless you're recording to a raw. So more frames in the picture equates to a higher data rate. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. 4) I transcoded in Resolve in DNxHD HQX, and I do notice a slight "shrink", I assume due to. DaVinci Resolve 17. 265, where there are only complete. I knew that at some lower bitrate, H. ProRes is built for editing speed, whereas H. Adds file support for HEVC 8-bit 4:2:2 encoding. agent42b • 7 yr. Bit depth influences the granularity, quantization. So for example at 1080i59. . Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Neil. GoPro Cineform: Recompression Generation Loss. Re: ProRes to DNxHD. The 30i versions would be DNxHD 220 and 145. The place for questions about shooting with Blackmagic Cameras. 97, since the chroma. Resolve should have native DNxHD handling (specially in MXF), which will be 64bit. At this point in time working with Cineform basically locks you into using only Adobe tools. Similar to 4444 XQ, this codec delivers a lossless alpha channel up to 16 bits. • 720p/50 N/A, 175x, 175, 115, N/A. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. • Apple ProRes 422 10-bit • Apple ProRes 422 LT 10-bit • Apple ProRes 422 Proxy 10-bit • Avid DNxHD 444 10-bit 440Mbit • Avid DNxHD 422 10-bit 220Mbit • Avid DNxHD 422 8-bit 220Mbit • Avid DNxHD 422 8-bit 145Mbit • Avid DNxHD 422 8-bit 36Mbit. Lightworks is coming out with a version for Linux soon ( and mac). . I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. 17, 18, 19, 20, 21, 22Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. 709. mov, . agent42b • 7 yr. 10-bit 4kp60 Apple ProRes or Avid DNx for extended recording For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. That's essentially exporting the AE comp now into a relatively lossless DNxHD format which will render much faster when you render. For heavier grades or multiple compression iterations, Prores HQ should be used. 1. Peter J. Add Source H264 Videos. See Avid DNxHD Notes for more information. The calculator can be used with any type of media, including HD or SD footage, as well as. Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. The ffmbc/ffmpeg prores version for some reason isn't as bad. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. Avid ® ( Nasdaq: AVID) today announced that Media Composer ® will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. We tried the update but this issue is a fundemantal. DNxHD only supports the NTSC & PAL standards, so 29. BMD already acknowledges this as the proxy settings in. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. DNxHD – DNxHD is Avid’s intermediate CODEC. ProRes 1080 is around 115Mbps. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. VBR and many claim that VBR is always better, since it distributes bitrate among frames. I will take my equipment outside and do some daylight shots and run the same tests that you did. v prores_ks -profile:v 0 -vendor ap10 DNxHD. Like you said you can always change to a HD project to encode to SQ. DNxSQ is 8 bit. Showdown. DNxHD 145 is a 1920x1080 frame , 4:2:2 chroma at 8bits and 29. 264 SDR would result in a black frame. Votes. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. Bit-depth support is not OS-dependent, but codec-dependent. Compressor 4. Like cineform, it will automatically adapt to a wide variety of frame sizes and frame rates. Now it looks like it might be DNxHD 444 instead. Be better than them!The MainConcept ® VC-3 Encoder and Decoder SDKs for Avid DNxHD and Avid DNxHR are software-only components that enable application developers to integrate with production tools like Avid Media Composer and Avid Interplay storage solutions or cameras. 12 posts • Page 1 of 1. 14. This gives you the most room for correction. Even custom 3rd party PC Prores decoders aren't as fast as native Mac PR decoders. Adds support for multi-pass HEVC 4:2:2 encoding. I've never seen anything like that out of Media Composer. Seriously: for archival purposes, ideally, Prores 4444 or DNxHR 444. This requires a lot more data than an interframe codec like h. Exporting out of one generation (camera originals) of H. Any lens that wide that isn't $10,000 is g. ) OPinguimVoador. 709 is very important, it would be interesting if you could compare DNxHD with ProRes. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. 6. Google failed me, and my lunch break is only that long. As you can see, blocky artifacts are still. The takeaway: all three are going to be vastly more performant than h264. The reason you see DNxHD 36 for 1080p 23. ProRes VS DNxHD. g. It has a target data rate of approximately. we have an issue on the Premiere cc 2018 and Media Encoder. 264s for YouTube. 6 (about 21 seconds). DNxHD Files exported from AVID in Mov Container are not recognised anymore. ago. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. C. . 264 HD √ √ √ AVC-INTRA Panasonic P2 AVC-Intra 50 MXF OP-1A AVC-Intra 50 HD √ √ √I am seeing different black levels based on my output codec (ProRes vs DNxHD). I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. Yes, codec options are only limited if you change raster size to 1/4 or 1/16. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. At this point in time working with Cineform basically locks you into using only Adobe tools. The fourth “4” means that Apple ProRes 4444 XQ and Apple ProRes 4444 can also carry a unique alpha-channel sample for every pixel location. AJRubenstein wrote: The problem occurs with every flavour of DNxHD, in every combination I can think of - even when varying the levels, etc. Avid used to use bandwidth values (36, 145, 175 etc) with the name of their codec. High-quality formats like ProRes offer excellent video and audio but come with larger file sizes. Each one has a few quality levels. "Apple の各 ProRes フォーマットの違い" . Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. Nothing wrong with it, just that the computer will have to work harder to decode H264 than if it was cineform/prores/dnxhd. I recently g. 264 100 Mbps': In regard to DNxHD, as mentioned, it behaves nicely when it is set to 'RGB Levels' for 4:2:2 10 bit, whereas to '709' for 4:4:4 10. 264 codec is widely used in video delivery/distribution. DNxHR is slightly better than DNxHD. 摘要. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. after setting blender to 1440 x 1080 fields bff and the bitrate to 110 000 fps 29. Guys I am thinking about moving over to media composer, my main objection to continuing to. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. 1) Concerning Quicktime’s 32-bit nature – that shouldn’t really be a performance issue for a 1080 sized frame. Get Webdesign, Search Engine Optimization & Marketing Help » highest quality exported video at 422 HQ (3. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. Translate. • Apple ProRes 4444 • Apple ProRes 4444 XQ • Apple ProRes 422 HQ • Apple ProRes 422 • Apple ProRes 422 LT • Apple ProRes 422 Proxy • Avid DNxHD (1080p and 720p 1920x1080 and 1280x720, 4:4:4:4 and 4:2:2) 36, 115, 120, 145, 175, 185, 220, 220x. Reply. DNx can (in any flavor) handle an. Conclusion When it comes to choosing between Apple ProRes vs Avid DNxHD, there is no clear-cut winner. However, unfortunately, Youtube doesn't support those formats, so you'll have to use a compressed format. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Source: I just mastered my doc using DNxHD. PRO RES VS DNxHD. 2) Our natives Prores are in 12 bits. ProRes HQ and DNxHD are so close I haven't bothered testing them both. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD MOV is not supported. They are a format to contain other data. With the 2. Includes a 5" monitor, 6G-SDI and HDMI connections, ProRes and DNxHD file formats, histogram. 它是 Apple Intermediate Codec 的后继产品，于2007年与 Final Cut Studio 2 一起推出。. requires this notice: THIS PRODUCT IS LICENSED UNDER THE MPEG-4 VISUAL PATENT PORTFOLIO LICENSE FOR THE PERSONAL AND NON-COMMERCIAL USE OF A CONSUMER FOR (i) ENCODING VIDEO IN COMPLIANCE WITH THE MPEG-4 VISUAL STANDARD (“MPEG-4 VIDEO”) AND/OR (ii) DECODING. Therefore, you can absolutely master in the native format of your raw. 5. 264 to DNxHD. 2 or later for DNxHD/HR. Votes. 7K (Apple ProRes 422 LT). I have encountered a couple of issues with ProRes files that are specifically PC related. Jello cam is greatly reduced, exposure latitude and exposure control is much better. Then, when you’re done, you relink the. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. Your camera most likely records H. These formats are referred to as intraframe formats, not interframe formats. Reply. Avid DNxHD/HR を撮影する場合は、カメラはそのフォーマットを、Codec メニューで選択された解像度 (2K または 4K) に拡大/縮小します。 ビューフィールドは Avid DNxHD/HR 内に維持されますが画像の切り取りは行われません。ProRes, as is DNxHD/R, is a traditional post codec, which is relatively light on CPU and very efficient in processing terms, as opposed to H. . Jello cam is greatly reduced, exposure latitude and exposure control is much better. Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. There is prores 4444 variant as well, but I don't think it's supported by ffmpeg yet (for decoding either) ffmpeg's dnxhd encode is 8bit version, but it looks like the prores encode is the true 10-bit. The resulting file should show an alpha channel. One of the most valuable things I took away from FCP7 and Avid is that using optimized formats is always the best. The benefits of transcoding into a format like ProRes is that you’ve got a less-compressed file that the computer can more easily work with, than say H. If you are shooting H. Choppy playback easy fix with FFmpeg and DNxHD/DNxHR in Material Exchange Format (MXF). 0 which will get clamped, they get lost regardless of 10 vs 12 bit. It's also a lot faster to encode than h. DnxHD is free to decode (play back) and encode (create) on all platforms. DNxHR doesn't have the strict specs that DNxHD has so they can be different, but don't have to be. So for example at 1080i59. H. 26x and MPEG standards, the ProRes family of codecs use. CINEMA DNG: 2400x1350 (after debayering) Bayer pattern data. . 0 or later in order to activate Avid DNxHD, Shogun and Ninja Assassin owners require AtomOS 6. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. The HR codecs just remove the number and the HD limitation. I asked a similar question in the Arri section since the film was shot in the Alexa Mini LF. Daniel2 is different. HQ/HQX is comparible in quality to ProRes and DNxHD/HR, so you will not loose any noticeable amount of quality (I always use HQX unless dealing with old standard definition footage. [1] ProRes系列编码器使用基于 离散余弦变换 (DCT)技术的压缩算法，类似于 H. I don't have access to a Windows PC capable of running Resolve, yet, so I have some questions:The two are very much equal to each other, but the differential is ProRes is designed by Apple so isn’t always supported in Windows programs, whereas DNx is more universal when it comes to computer OSs Both Resolve and Premiere support importing both codecs, but Resolve doesn’t support exporting ProRes on Windows machines. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. ProRes is widely used in the video industry and is compatible with both PC and Mac editing systems. The target data is 147 Mbps. DNxHD DNxHD was created by Avid for compressed HD playback and has now been extended to DNxHR (high resolution). Apple ProRes. The number was dependent on the level (such as Proxy), frame size and frame rate. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. These formats are referred to as intraframe formats, not interframe formats. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps. Daniel2 vs ProRes, DNxHD, XAVC, etc. Votes. Community guidelines. ProRes 4444: is an extremely high-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This gives you the most room for correction. But on to the M3 MacBook Pro. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Apple ProRes and AVID DNxHD provide the benefit of a complete video file contain with audio embedded. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. These formats are referred to as intraframe formats, not interframe formats. Reply. The BMCC's built-in LCD can be set to "Video" mode while recording "Film". ProRes とは SD ファイルサイズで HD 画質を実現し、映像業界で広く採用されている。ProRes コーデックの6つのバージョンは、基本属性が共通している。ProRes は、可変ビットレート（VBR）エンコーディ. The artifacts in cineform are smoother, more organic. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Video Codec: DNxHR/DNxHD. So capturing it in the Ninja can save the work of transcoding later. But since this question pertains to whether ProRes4444 or DPX is better for VFX, I’ll give it a try here. If we receive something different than that we use media encoder to format it to ProRes Proxy 1920X1080. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. ) To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). 264 but has some significant advantages: It takes a lot less computer power to decode, meaning it performs better in editing software. Resolution: DNxHR HQX 10-bit. 1 x HDMI and 1 x 3G-SDI Outputs. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. Both ProRes and DNxHD are effectively “visually lossless” at their higher bitrates. These formats are referred to as intraframe formats, not interframe formats. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H. This also ensures that you've got a (reasonably) lossless high-quality master file you can re-use if you need to, and you can use it to make final deliverables like H. Render the comp and import the result into AE. 264 for possible quality though much bigger in file size. Both ProRes and DNxHD are intermediate codecs, meaning they’re designed with editing in mind, they’re less. This requires to manually change these options, which I guess you cannot do - 4590400Throughout the production pipeline you want to have as flat an image as you can get. . For work that needs grading but does not need Prores HQ, you will do well with Prores 422 or LT, or DNxHD SQ or LB. MOV is also a container and can hold a ton of different codecs. Yes, the bitrates are higher for ProRes but that is because of the type of codec instructions in use, which are less processor intensive than H. Netflix | Partner Help Center Screenings and Reviews @ Netflix Facilities Asset Delivery Specs Print ProRes & DNxHD Files - Screenings & Reviews The below asset delivery specs are intended for non-critical screenings and reviews in Theaters, Screening Rooms, and Screening Lounges at internal Netflix facilities. File Size: Balance quality with file size. Here is the CinemaDNG vs DNxHD 422 709 'Difference' test: Similar to the above, some glitches occur on encoding to DNxHD 4:4:4 with Color Levels set to 'RGB Levels'. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. Compared to the background and theoretical knowledge, you may. Full list of codecs: * Animation * ARRIRAW * AVCHD LP * AVCHD SP * AVCHD. In a nutshell, ProRes exports always behave as though they were exported as RGB, regardless of whether. It's not a serious issue. Watch on. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller. Atomos Ninja V) Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. 8K resolution. 32bit v 64bit for codec doesn't always translate to speed problems. The other option that is used with prores is the -pix_fmt option. That used to certainly be true, but nowadays both codecs work very smoothly on all modern editors (including Premiere Pro and Resolve). Instead I use MXF OP1a AVC-I00. The HR codecs just remove the number and the HD limitation. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. Since our footage is 8-bit to start. What advantages do these formats have over each other and when to choose one or the other? Watch on. MikeVideopunk. Typically MXF/MOV files containing DNx or Prores video both use the same linear PCM uncompressed audio format, so with the correct settings you should be able to get identical audio quality out of both options. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). Posted August 12, 2020. You have to transcode to DNxHD on export. 265) compression codecs in Ninja V recorder - looking for compression artefacts that may appear when gra. 42GB): and DNxHR are the codecs. On my desktop its little difference, on my laptop its a huge difference (but thats with full quality files, proxies fun about the same). Buindling up contrast can lead to loss if detail in both the whites and blacks. Format. 264/H. As the camera's internally recorded 10 bit codecs are the visual equal of the lesser (non-raw) ProRes variants. This requires to manually change these options, which I guess you cannot do - 4590400 Aug 19, 2022. 98: 75 Mbps: 50 Mbps: 34 Mbps: 23 Mbps: 10 Mbps: 720 x 486: 25: 79 Mbps: 52 Mbps: 35 Mbps: 24 Mbps: 10. Hello, we have an issue on the Premiere cc 2018 and Media Encoder. 97 fps. VEGAS Pro. DNxHR uses the same bitrate levels (at 1080p) as DNxHD but because. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. Other Video Codecs. DNxHR and ProRes are comparable in quality at the same bitrate. Cineform is still very new on the scene, and thus not a lot of tools know what to make of it. You could check out the files in Media Info to see the audio specs, or pull both. OK, I just did some testing. Technically, there's little difference between ProRes and DNx - DNxHD is limited to to 1920x1080 or 1280x720, DNxHR and ProRes don't hav those limitations. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. Output a self-contained ProRes file of your longplay screening cut. DNxHD usually uses the bitrate as the flavor name, DNxHD 36, DNxHD 175, etc. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. Shoot ProRes/DnxHD in "Film" (log) mode (like log mode on most popular cinema cameras) for projects that may benefit from a bit more DR at the "expense" of some additional required work in post. Dual built in SD card recorders save files from any camera in 10‑bit 4:2:2 ProRes or DNx formats. Studio for >=4k/Dolby P3D65. . Video Codec: Apple ProRes 422 Proxy. 264 DNxHD 36 DNxHD 45 DNxHD 75 DNxHD 115 DNxHD 145 DNxHD 175 DNxHD 220. Therefore, you can absolutely master in the native format of your raw. ProRes 422 HQ: is a higher-data-rate version of Apple ProRes 422 that remains visual quality as same high as Apple ProRes 4444 but at. The bitrates, workflow and 10bit color depth seem to be the same. I create Apple ProRes 422 Proxies (all same settings except. The previous default was I-Frame Only MPEG. . Watch on. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. It is 10-bit, which means it provides 1,024 shades of gray or shades of each color per pixel. Click OK. In my experience DNx does run better than Pro Res and encodes faster, but the difference isnt massive. Report. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. 8. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. Conclusion. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Apple ProRes Resolution & Framerate ProRes LT ProRes 422 ProRes HQ 1080p24. Meaning that all frames are complete data-sets for that frame. I will take my equipment outside and do some daylight shots and run the same tests that you did. There is no way of defining what am I. Report. 26x and MPEG standards, the ProRes family of codecs use. These are the basic settings. 264 SDI 4:2:2 10-Bit. 264 footage to lower quality proxy (DNxHR SQ/LB) either externally (ffmpeg) or inside Resolve (via Media Management Transcode - requires Resolve Studio). Studio for >=4k/Dolby P3D65.